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THE EXACT SAME LETTER MAILED FOR 28 YEARS
The copywriter was Martin Conroy. His famous letter,
introduced in 1974 for The Wall Street Journal, goes by the name “Two Young Men.”
Direct mail expert and author Denny Hatch claims Conroy’s
storytelling letter is the single most successful advertisement in the
history of the world. According to Hatch,
the same letter was used for 28
years and is directly responsible for bringing in over $2 billion in gross revenues
to The Wall Street Journal.
Now that's consistency!
In 2002, Conroy's legendary control letter was finally
beaten by a package written by copywriter Mal Decker. Paying tribute, Decker
used Conroy's famous lead in his new letter.
A copy of Conroy's famous letter is available here.
Over the years, direct mail experts have written three major
reference books on the best direct mail letters ever written. They are:
- Million
Dollar Mailings, written by Dennison Hatch. Published in 1992, this
oversized book contains 71 complete, fully-illustrated direct mail
packages.
- World’s
Greatest Direct Mail Letters, by Herschell Gordon Lewis and Carol
Nelson. Published in 1996, this 467-page oversized book contains 93 sample
letters.
- Hall
of Fame – Great Selling Ideas from 50 Super-Successful Direct Mail Letters
and Direct Response Ads, from the American Writers & Artists
Institute. Published in 2002, this 319-page manual is only available to
students enrolling in AWAI’s copywriting course that includes the 457-page
spiral-bound textbook, Michael Masterson’s Accelerated Program For
Six-Figure Copywriting.
Martin Conroy’s engaging two-page letter appears as the first
letter in two of the three reference books
listed above.
Perhaps in an effort to “save the best for last,” Hatch’s
coverage of Conroy’s “Two Young Men” letter appears at the back of his book. Hatch
calls the Conroy letter “...the granddaddy of all the Grand Controls.”
While a committee of direct mail experts chose the direct
mail samples for two of the books, the samples in Hatch's book were chosen by
the marketplace. Every sample included had been generating profits for the
mailer for three years or more, with the WSJ letter running for 18 years at the
time.
Think about that for a minute or two, "Every sample in
Hatch's book has been in use for a minimum of three years or longer with the
WSJ letter in use for 18 years." And they were selected because of the
revenue generated for their mailers. NOW THAT
IS THE VALUE OF CONSISTENCY.
Stick with the creative that is working for you. Tweak it
sparingly.
THE DIRECT MAIL "CONTROL" PACKAGE
There's little more sacred in direct mail than the
"control" package. This is the benchmark package that works best for you.
At ACTON Marketing, our standard self-mailer design and product offer in use today – our
control package – is the result of 28 years of direct mail experience in what works best for
our clients. It provides consistency, familiarity, and recognition to your bank and your free
checking marketing effort, mail drop after mail drop.
Yet, for a control to remain effective, you must test against it
in subsequent mail drops. The goal is to see if your agency can find one or
more package "tweaks" that will improve response. When such a test
package out pulls the control, it becomes the new control.
Canadian Ted Kikoler is one of the direct mail industry's
best graphic designers. Here's what Kikoler wrote about testing your control
package: "You'd be surprised how long a control can be kept alive with
simple cosmetic changes. That's because we have a harder time remembering what
we have read than what we have seen."
As it relates to your free checking self-mailers, one of the
easiest cosmetic changes to make is the free gift offer which changes with each
mail drop anyway. And since your changing offer appears on both outside panels
of your self-mailer, there is little likelihood that customers and prospects
will quickly tire of your mailer.
Introducing totally new creative with each mail drop not
only introduces inconsistency, it violates the sanctity of the control package
approach to maximizing response.
JOE'S BULLETIN BOARD SPEECH
When it comes to clients requesting new creative or major
creative makeovers, our senior copywriter delivers his standard "bulletin
board" speech. It goes like this: "It doesn't matter how much we love
our creative or the bank loves the creative. The person who gets the mail piece
doesn't tape it to the refrigerator or pin it to the bulletin board so she can
compare the copy and design to the next mail piece six or eight weeks later. No
prospect ever says she won't switch to a bank because they used the same
creative twice."
Joe's talking about your control group package – the one
that's currently working best for you.
Like all direct mail experts, Joe and the other members of
his creative team understand the value and necessity of package consistency.
Why is package consistency so important? Besides delivering the best response results,
it also creates familiarity and recognition which is critical for building and maintaining
your brand.
Perhaps it's time to recollect all the sage advice about
consistency you've been given over the years.
"Don't change horses in the middle of the stream."
"Stick with the winners."
"Keep doing what works best for you."
"Dance with the one that brung you."
This last bit of advice was a favorite of Darrell Royal, the
legendary University of Texas football coach. During his 20 years coaching at
the University of Texas (1956-1976), Royal never had a losing season. To him it
meant sticking with the players and plays that win games... in other words,
consistency.
To marketers it means sticking with your winning creative. Don't
make changes just because you are tired of seeing it. And don't make changes
thinking that you can somehow make dramatic improvements based on intuition or
feel. With few exceptions, changes should only be made after testing.
Your control package is your winner...you ride your winner as long as possible.
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